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Category: Essays

He’s Not Dead Yet

He’s not dead yet.

My dad. He’s not dead yet.

But I mourn him. I have been mourning him for a while now.

On Monday, my mom told me that my dad’s nephrologist recommended him for an Alzheimer’s workup. The nephrologist is fairly certain that my dad has Alzheimer’s, but she can’t officially diagnose it—she’s a kidney specialist, after all.

This news wasn’t shocking. My dad has been showing signs of dementia for the past two years, maybe longer, but my mom didn’t push to get him formally assessed. In the past few months, though, she says things have gotten worse. He can’t be trusted to take his medications or manage his meals anymore. He can’t figure out his insulin dosing, something he used to handle on his own. When they went to his three-year follow-up after his kidney transplant, my mom voiced her concerns.

No one was surprised.

Several months ago, my mom invited me to join her, my dad, my brother, and his fiancée for lunch. We didn’t have any plans, so Tionne and I packed up the kids and headed over. When we arrived, they had already ordered, a family-style spread laid out in front of them. We sat down, and the conversation began—mundane, casual, the usual catching up. But soon, it became clear that my dad wasn’t really “there.”

He asked me questions about things from my childhood as if those were current events. He kept confusing my daughter, Kaiyida, for me, addressing her like she was a younger version of myself. Isaiah and Tionne? He didn’t even acknowledge their presence, as if they were invisible.

We brushed it off. We laughed, glossed over the weirdness.

It was what it was.

That night, after we put the kids to bed, Tionne joined me in my office like he does almost every night for our usual debrief. We talked about the day, about everything and nothing. Then, softly, tentatively, he asked, “How are you, Kornika?”

I broke down.

“He’s gone, Tionne,” I sobbed. “My dad is gone.”

He held me, let me cry, and asked if I wanted to talk. I didn’t. He said he’d be ready when I was. I sniffled, wiped away the tears, and we moved on, the way you do when life demands you keep going, even as you feel yourself crumbling inside.

And then Monday—or maybe it was Tuesday, I can’t remember, it’s all a blur—this news came, solidifying what I had already been mourning.

You see, when I told Tionne that my dad was gone, it wasn’t sadness I felt. It was anger. A deep, fiery, consuming rage that I’ve been carrying for as long as I can remember. I’ve hated him, on some level, since at least eighth grade, when I was in a court-mandated inpatient intervention program. We were supposed to have family therapy every week. Only my mom ever showed up.

But really, the roots of my anger stretch further back.

I think it started during my sixth- and seventh-grade soccer and volleyball games. He would stand on the sidelines and yell at me. Things like, “You suck,” or “Why are you even playing?” or “Of course, you missed,” usually in Khmer. Looking back, I think he believed he was pushing me to be better, but it never felt like that. It felt like I was worthless to him, no matter how hard I tried.

And I tried. I tried so hard.

I lived my life as if his voice was a measuring stick. Every accomplishment, every victory, was to prove him wrong. To show him that I was good enough, worthy of praise. Sometimes, even now, I still hear that voice in my head telling me I’m not enough. It doesn’t shout as loud these days—therapy helped with that—but it’s still there. Quiet, lingering.

The final blow came in 2000 when I found myself in crisis, pregnant and scared. Instead of support, he disowned me. That was it for me. I knew I wasn’t ready to care for a child, so I made the hardest decision of my life and placed my first-born baby for adoption. And in doing so, I walked away from not just my father, but my mom and my brother too.

I put as much distance between myself and him as possible—physically, emotionally, mentally. I packed up my life, drove over a thousand miles away, and lived out of my car for months until I could get on my feet. I joined the Navy, finished college, and rebuilt myself from the ground up.

In 2005, after five years of silence, I called my mom to tell her about my graduation. I wasn’t sure she’d come, but she did. When we hugged, she said, “Your father says he’s sorry.”

That was all.

I returned home eventually, to visit my mom and brother, though my dad was always there, lingering like a ghost of the past we never spoke about. We pretended those five years didn’t exist. That he had never disowned me, that I hadn’t given up my child. I shoved all my emotions deep down, choosing peace for the sake of my mom and brother, and saved the rest for therapy.

But the anger never left. The sadness, the disappointment, the hatred—it’s all still there. And I don’t know what to do with it.

He’s never said sorry to me. Never shown remorse. He acts like I owe him—love, affection, respect—but he broke me. I had to learn how to mend myself.

Don’t get me wrong. He taught me things, too. How to change a tire, change my oil, cut a perfect miter joint. He taught me about acoustics, about CAD, how to splice wires. I can fix just about anything, though none of it would ever meet his standards. He gave me resilience, survival skills. I owe much of my strength to him.

But it’s all so complicated, so tangled in darkness.

And now? Now I’m mourning a man who no longer exists. I mourn the apology I’ll never get, the closure that’s forever out of reach. I’m angry at a ghost, bitter toward someone who’s fading, disappearing, slipping further away each day.

It’s so unfair.

I know I need to forgive him. Not for him, but for me. To release this weight, this poison that’s eating me up inside. But I’m not there yet. I’m still angry. I’m still grieving. Grieving for the father who hurt me, and for the man who will eventually leave this world without ever making it right.

And, quietly, I’m terrified. What if his parting gift to me is Alzheimer’s, too? What if I end up like him, forgetting the ones I love, lost in memories that no longer make sense?

—Originally posted October 24, 2024, on Facebook.

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Send Them Home to Me

I prayed relentlessly for my son—the salvation of the Lord—Isaiah. I wanted what I thought of as a “second chance” since I placed my firstborn son for adoption from birth. I got him.

But when I found out I was getting him, I cried. And I cried. And I cried. Some were tears of joy, but mostly I cried because I was scared. I was so profoundly and completely engulfed with fear because I did not (and still do not) know how to keep a black boy safe in America.

I cried because I felt, and occasionally still do feel, ill-equipped to teach a Black boy “how” to behave so as not to be seen as a threat. Now, I cry because I’m angry that I’ll one day have to tell my little Black boy that even if his head and ears are cold, he shouldn’t put his hood up. I’m furious that I’ll tell him that should his hands be cold and he puts them in his pockets, he should pull them out slowly when he sees law enforcement officers. Or, better yet, he should just not put his hands in his pockets because he may never be given the opportunity to explain himself, simply because he’s big, tall, and Black.

I am crying now, as I watch him try to figure out how to crawl forward and reach his toy, because his innocence will wane considerably sooner than that of his non-colored counterparts, because he will have to be taught that being a person of color can be perceived as being dangerous, especially a male POC, especially a Black, male POC.

So please, I implore you, if you ever see my Black kids in the streets, especially my son, and they, God-forbid, are behaving in a manner in which you construe as threatening (especially if that behavior is simply their existing), don’t try them in the streets. Don’t be their judge, jury, and executioner on the sidewalk. Please, please, just send them home to me.

Let them live to see another day.

— originally posted December 29, 2015, on Facebook.

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Dear Stenographer

Dear Stenographer —

You probably will not remember me. I was a young girl on February 2, 2001, less than a day postpartum. Sore. Engorged. Trying to be brave in a room that did not feel survivable.

You were there with your machine, perfectly poised, back straight, at the foot of my hospital bed.

For years, I didn’t remember you. Not your face. Not your voice. Not a single word you said in that room, if you did speak at all. What I remembered were your fingers. I remembered because I stared at them as an act of dissociation. They were moving. They were precise. They were detached. They were faithful to the record.

I am a court reporter now.

Life has this funny little way of circling back on itself. I changed careers decades later, unaware that one of the deepest wounds of my life had a stenographic soundtrack. I started in voice writing because of chronic wrist inflammation. A couple years ago, restless and curious, I began teaching myself machine steno. Several weeks in, fumbling through basic chords (up to 40 words per minute! — or maybe it was 14), I looked down at my own hands and something in me split open.

Your machine came back to me.

So did that day.

I remembered signing papers while my body was still in shock from labor. I remembered trying to nurse my son while relinquishing my rights to raise him. I remembered hating everyone in the room, except him, but including me. And including you.

Especially you.

Especially …

… you.

You were the only person in that room who was not emotionally entangled. You were steady and clinical. You were necessary. And I resented you for it. I resented that the worst decision of my life was being preserved in perfect strokes. I resented that my grief had to be captured cleanly — that it would live somewhere in black and white.

I know now what you were doing.

You were doing what I do every day now. You were protecting the integrity of a moment. You were creating a record so that what happened could not be distorted later. You were serving the process, not the pain. You may not have known the full weight of the assignment when you accepted it. Or maybe you did, and you showed up anyway.

There’s a particular kind of discipline that’s required to sit inside someone else’s devastation and remain neutral. To not fix it. To not flinch. To not interfere. Just to capture it faithfully.

I did not understand that as a terrified teen.

Part of me has blamed you all these years because it’s easier than sitting with the truth. You didn’t cause that day. You didn’t create my circumstances. You didn’t make the choice. You just recorded it.

There’s something sobering about realizing that I’ve now sat in rooms on the worst days of other people’s lives. I have taken down divorces, criminal admissions, survivors’ statements, medical catastrophes, corporate collapses. I have watched hands shake while signatures were placed on pages that would change everything. And I have kept writing.

Clean record. Every word matters. Every single time.

That includes the unbearable ones.

I don’t know if I’ll ever completely separate the sound of keys from the sound of my own heart breaking. But I’m beginning to see that what you did wasn’t cruelty. It was service.

If I could sit across from you now, I would not accuse you. I would not hate you. I would ask you how you learned to stay steady in rooms like that. How your hands kept their rhythm while someone else’s world collapsed in real time. I would ask whether the sound of your machine ever followed you home. Whether you ever sat in your car afterward, engine off, hands still, letting the silence settle before walking back into your own life.

I would tell you that the girl sobbing in a hospital bed, hair matted to her face, gown twisted, body still trembling from labor, while holding an impossibly small human she would never hold again, eventually built a life. That that ache in her empty arms did not last forever. That the milk dried.

I would tell you she learned how to breathe again.

That she became a wife. A mother. A business owner. A court reporter. That she understands the weight of preserving a moment, even when it shatters someone.

I would tell you she survived.

That she understands now:

You were not my enemy.

You were a witness.

And now, so am I.

Dear Stenographer —

You probably will not remember me. I was a young girl on February 2, 2001, less than a day postpartum. Sore. Engorged. Trying to be brave in a room that did not feel survivable.

You were there with your machine, perfectly poised, back straight, at the foot of my hospital bed.

For years, I didn’t remember you. Not your face. Not your voice. Not a single word you said in that room, if you did speak at all. What I remembered were your fingers. I remembered because I stared at them as an act of dissociation. They were moving. They were precise. They were detached. They were faithful to the record.

I am a court reporter now.

Life has this funny little way of circling back on itself. I changed careers decades later, unaware that one of the deepest wounds of my life had a stenographic soundtrack. I started in voice writing because of chronic wrist inflammation. A couple years ago, restless and curious, I began teaching myself machine steno. Several weeks in, fumbling through basic chords (up to 40 words per minute! — or maybe it was 14), I looked down at my own hands and something in me split open.

Your machine came back to me.

So did that day.

I remembered signing papers while my body was still in shock from labor. I remembered trying to nurse my son while relinquishing my rights to raise him. I remembered hating everyone in the room, except him, but including me. And including you.

Especially you.

Especially …

… you.

You were the only person in that room who was not emotionally entangled. You were steady and clinical. You were necessary. And I resented you for it. I resented that the worst decision of my life was being preserved in perfect strokes. I resented that my grief had to be captured cleanly — that it would live somewhere in black and white.

I know now what you were doing.

You were doing what I do every day now. You were protecting the integrity of a moment. You were creating a record so that what happened could not be distorted later. You were serving the process, not the pain. You may not have known the full weight of the assignment when you accepted it. Or maybe you did, and you showed up anyway.

There’s a particular kind of discipline that’s required to sit inside someone else’s devastation and remain neutral. To not fix it. To not flinch. To not interfere. Just to capture it faithfully.

I did not understand that as a terrified teen.

Part of me has blamed you all these years because it’s easier than sitting with the truth. You didn’t cause that day. You didn’t create my circumstances. You didn’t make the choice. You just recorded it.

There’s something sobering about realizing that I’ve now sat in rooms on the worst days of other people’s lives. I have taken down divorces, criminal admissions, survivors’ statements, medical catastrophes, corporate collapses. I have watched hands shake while signatures were placed on pages that would change everything. And I have kept writing.

Clean record. Every word matters. Every single time.

That includes the unbearable ones.

I don’t know if I’ll ever completely separate the sound of keys from the sound of my own heart breaking. But I’m beginning to see that what you did wasn’t cruelty. It was service.

If I could sit across from you now, I would not accuse you. I would not hate you. I would ask you how you learned to stay steady in rooms like that. How your hands kept their rhythm while someone else’s world collapsed in real time. I would ask whether the sound of your machine ever followed you home. Whether you ever sat in your car afterward, engine off, hands still, letting the silence settle before walking back into your own life.

I would tell you that the girl sobbing in a hospital bed, hair matted to her face, gown twisted, body still trembling from labor, while holding an impossibly small human she would never hold again, eventually built a life. That that ache in her empty arms did not last forever. That the milk dried.

I would tell you she learned how to breathe again.

That she became a wife. A mother. A business owner. A court reporter. That she understands the weight of preserving a moment, even when it shatters someone.

I would tell you she survived.

That she understands now:

You were not my enemy.

You were a witness.

And now, so am I.

You probably will not remember me. I was a young girl on February 2, 2001, less than a day postpartum. Sore. Engorged. Trying to be brave in a room that did not feel survivable.

You were there with your machine, perfectly poised, back straight, at the foot of my hospital bed.

For years, I didn’t remember you. Not your face. Not your voice. Not a single word you said in that room, if you did speak at all. What I remembered were your fingers. I remembered because I stared at them as an act of dissociation. They were moving. They were precise. They were detached. They were faithful to the record.

I am a court reporter now.

Life has this funny little way of circling back on itself. I changed careers decades later, unaware that one of the deepest wounds of my life had a stenographic soundtrack. I started in voice writing because of chronic wrist inflammation. A couple years ago, restless and curious, I began teaching myself machine steno. Several weeks in, fumbling through basic chords (up to 40 words per minute! — or maybe it was 14), I looked down at my own hands and something in me split open.

Your machine came back to me.

So did that day.

I remembered signing papers while my body was still in shock from labor. I remembered trying to nurse my son while relinquishing my rights to raise him. I remembered hating everyone in the room, except him, but including me. And including you.

Especially you.

Especially …

… you.

You were the only person in that room who was not emotionally entangled. You were steady and clinical. You were necessary. And I resented you for it. I resented that the worst decision of my life was being preserved in perfect strokes. I resented that my grief had to be captured cleanly — that it would live somewhere in black and white.

I know now what you were doing.

You were doing what I do every day now. You were protecting the integrity of a moment. You were creating a record so that what happened could not be distorted later. You were serving the process, not the pain. You may not have known the full weight of the assignment when you accepted it. Or maybe you did, and you showed up anyway.

There’s a particular kind of discipline that’s required to sit inside someone else’s devastation and remain neutral. To not fix it. To not flinch. To not interfere. Just to capture it faithfully.

I did not understand that as a terrified teen.

Part of me has blamed you all these years because it’s easier than sitting with the truth. You didn’t cause that day. You didn’t create my circumstances. You didn’t make the choice. You just recorded it.

There’s something sobering about realizing that I’ve now sat in rooms on the worst days of other people’s lives. I have taken down divorces, criminal admissions, survivors’ statements, medical catastrophes, corporate collapses. I have watched hands shake while signatures were placed on pages that would change everything. And I have kept writing.

Clean record. Every word matters. Every single time.

That includes the unbearable ones.

I don’t know if I’ll ever completely separate the sound of keys from the sound of my own heart breaking. But I’m beginning to see that what you did wasn’t cruelty. It was service.

If I could sit across from you now, I would not accuse you. I would not hate you. I would ask you how you learned to stay steady in rooms like that. How your hands kept their rhythm while someone else’s world collapsed in real time. I would ask whether the sound of your machine ever followed you home. Whether you ever sat in your car afterward, engine off, hands still, letting the silence settle before walking back into your own life.

I would tell you that the girl sobbing in a hospital bed, hair matted to her face, gown twisted, body still trembling from labor, while holding an impossibly small human she would never hold again, eventually built a life. That that ache in her empty arms did not last forever. That the milk dried.

I would tell you she learned how to breathe again.

That she became a wife. A mother. A business owner. A court reporter. That she understands the weight of preserving a moment, even when it shatters someone.

I would tell you she survived.

That she understands now:

You were not my enemy.

You were a witness.

And now, so am I.

— originally posted February 26, 2026, on Facebook.

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